August 12, 2017
August 12, 2017

Opening night party and talk: We honored the young women from Perfect Ten who participated in our Young Photographers Workshop. Collaborators Stacy Kranitz and Zoe Strauss lead a discussion about their LightField installation, "The Great Divide."

left: © Juan Madrid; right: © Zoe Strauss

August 26, 2017
August 26, 2017

Artist talk: Brenda Kenneally, LightField artist and author of Upstate Girls, in conversation with Linda Tirado, author of Hand to Mouth: Living in Bootstrap America.

© Brenda Kenneally

September 2, 2017
September 2, 2017

Film screening & talk: Canners is a deeply humane ode to the men and women who earn their daily bread collecting New York City’s bottles and cans. Director Manny Kirchheimer talked with film critic Eric Hynes.

© Manny Kirchheimer

September 9, 2017
September 9, 2017

Curators talk: Women Picturing Revolution in conversation with Catherine Morris, co-organizer of We Wanted a Revolution: Black Radical Women, 1965–85, Brooklyn Museum.

© Nydia Blas

August 12, 2017
August 26, 2017
September 2, 2017
September 9, 2017
August 12, 2017

Opening night party and talk: We honored the young women from Perfect Ten who participated in our Young Photographers Workshop. Collaborators Stacy Kranitz and Zoe Strauss lead a discussion about their LightField installation, "The Great Divide."

left: © Juan Madrid; right: © Zoe Strauss

August 26, 2017

Artist talk: Brenda Kenneally, LightField artist and author of Upstate Girls, in conversation with Linda Tirado, author of Hand to Mouth: Living in Bootstrap America.

© Brenda Kenneally

September 2, 2017

Film screening & talk: Canners is a deeply humane ode to the men and women who earn their daily bread collecting New York City’s bottles and cans. Director Manny Kirchheimer talked with film critic Eric Hynes.

© Manny Kirchheimer

September 9, 2017

Curators talk: Women Picturing Revolution in conversation with Catherine Morris, co-organizer of We Wanted a Revolution: Black Radical Women, 1965–85, Brooklyn Museum.

© Nydia Blas

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